Сортировать по : популярности | дате | по имени

Все артисты

kruzenshtern i parohod

Tel Aviv, Israel
kruzenshterniparohod
Karate-box-black metal – that's how the musicians of the Israeli band "Kruzenshtern and Parohod" jokingly name their trademark style, mocking any attempts to categorize their music. Jewish melodies, teeth-grinding hardcore, progressive rock and free jazz are all melted into an astonishingly tight musical flow. The band's powerful sound and piercing melodies completely seize the listener and make him advertently follow the proceedings, whether on stage during a live performance or while listening to one of the group's albums. Their music has depth, seriousness, recklessness and fun. It can be enjoyed cerebrally, and it can also be danced to from minute one.
Kruzenstern and Parohod was founded in 2002 by Igor Krutogolov, an Israeli composer, musician and producer, following his meeting with Ruslan Gross (formerly the base player of cult hardcore band «Rabies Caste») and Guy Shechter, a talented young drummer. Soon enough they became a prominent phenomenon on the local alternative and avant-garde scenes, thanks to their unique compositions, wild energy and inspired arrangements; even a musical piece which lasts no longer than three minutes contains a whimsical and unexpected musical stew, dynamically evolving from waltz to punk-rock, from klezmer to grindcore, from polka and foxtrot to black metal and free jazz. All of this, however, does not lead to an impression of vain musical eclecticism, but rather to new meanings achieved through the sharp and saturated musical themes, which simultaneously construct and de-construct the many musical and cultural influences the band has.
K&P are currently working on their fourth full length studio album, and are constantly performing in Israel and touring throughout Europe. In addition to countless club gigs, they have performed at the Vilnius Jazz Festival and at the Kansk International Film Festival.
Kruzenshtern and Parohod are:
Igor Krutogolov – bass, saw, vocals
Ruslan Gross – clarinet
Guy Shechter – drums
Boris Martzinovsky – accordion

raskardas

raskardas
2008—2012

Raskardaš Orkestar takes a leap beyond music and lands slightly off to the side from full-fledged cabaret. It’s in that unkempt and belittered area that they create their own electromechanic slap bang variety act. Beards fly in the wind that bursts out of saxophone bells as Raskardaš Orkestar makes their way towards your town.

The quirky urban landscape combined with used records by Tom Waits, Vinicio Capossela and Alfred Schnittke produced the odd environment where the band emerged out of thin air with a flourish of horns, a double bass, a guitar, a kettle of drums, and a button accordion. Over time they acquired all sorts of companions that would inhabit a deserted circus: pantry hawks, enamored bicycles, diatonic teapots, and stray Danish gnomes carrying trunks and chests full of ladies, old newspapers and things that make a tinny kind of clang.

SkaZka Orchestra

skazkaorchestra
SkaZka appeared out of nowhere and have been a jewel of the Berlin scene ever since. SkaZka is the band everyone likes. If you want to have a good night out, full of vitality and dancing, SkaZka is the band to watch. They are no intellectual classic-lovers or world music aficionados, but just charming young people who like to have fun themselves. That’s why the audience loves them. They tell their crazy fairytales on a wave of sweat, honesty and good vibrations.
But as SkaZka’s founder members Artur Gorlatschov and Valentin Butt, who came to Berlin from the former Soviet Union in their childhood, have studied accordion and drinking beer at the prestigious music school ‘Hans Eisler’, SkaZka instantly had a high musical level while being accessible and easy to dance to at the same time.
After they had set up SkaZka together with their cool drummer girl Elena Shams in 2007, they quickly found a broad fan base between wedding and rave, folk fans and party people, theatre and playground. The orchestra, which had grown to eight members by then, is driven by ol’ captain Flo Metzger on double bass. Andrej Ugoljew on trombone and Johannes Böhmer on trumpet come from jazz, are handsome and blow their whistles to the limit.
Playfully SkaZka combines Russian folk, klezmer, ska, Balkan music, Latin American rhythms and even jazz to create a multi-cultural sound which is typical for Berlin: not too academic, but party-oriented. Germans? Russians? Berliners! But they sing mostly in Russian, which suits their music best.
In 2010 the band won the 1st price at the world music festival BilleVue in Hamburg. In the same year they sold out the famous Festsaal Kreuzberg in Berlin for the release party of their debut album. That record was fun, but didn’t manage yet to capture all facets of Skazka. This time they have produced in the famous P4 Nalepa studio and thus ‘Kalamburage’ not only has a tight sound, but just bursts of ideas and musical styles. ‘Calambour’ is French and Russian and means play of words or twisting the meaning. Thus SkaZka’s lyrics are like strange plays in a surreal wonderland.
It obviously helped the record that, besides SkaZka, the band members have continued to work as professional musicians for the famous Berliner Philarmoniker, in jazz orchestras, big bands and for theatre productions. But their real baby is SkaZkka where they strip off their classical corset and let loose their wild creativity.
SkaZka means fairytale in Russian. And that is exactly how their story has been developing so far. They want to play and have done so on more than 300 concerts all over Europe. For the release party of ‘Kalamburage’ they have booked the legendary SO36 in Berlin. We bet 2013 will be the year no one who is interested in Eastern European music will get passed SkaZka.

Armin Siebert

forshpil

forshpil